OK frenchattackers, here’s the first try of the crew to let you (re)discover one of the mythical label from France. Despite his image of totally cheesy wax and cheap car boot stuff, Les Tréteaux is mostly linked to the name of two great musicians from this country: Daniel Janin & Jean Claude Pierric. They provide a majority of the production in the label, some are totally excellent, best of the best from France in the seventies, some are totally awful orchestra shit. That’s the funny side of this label: up and down are overexagereted. Good side of this label is you can find it in big quantities in the flea markets, it’s probably the best price /quality rate of the french records, usually euro bin and the equivalent of MFP label in England or stuff like Percy Faith in USA in term of availability. TO DISCERN THE GOOD FROM THE BAD MARIO CAVALERRO Pop Hits The Mario Cavalerro serie is noted as “Mario Cavallerro & Son Orchestre” and usually you have “Pop Hits” written on the cover. Unfortunatly this is the ones you find the most in France, some people even has 15 or 20 references in their crappy crates.. Lost Fools! DANIEL JANIN & SON ORCHESTRE
Here’s some of the best listed by the frenchattack crew:
Yes, Jean Luc Ferre is a name you can find instead of Daniel Janin, so don’t sleep ! This one is a good pick: “Dig Yourself Up (2)” on Aside is a dope funky track led by a nice wah wah guitar and a solid rhythmic section. The moog is pretty sweet, but the real heat is when the vibraphone appeared: funky as hell with a good help of the guitar once again! Finally not really the Janin orchestral veine, probably more Pierric, coz similar to the Harlem pop style: raw jazz funk and perhaps the best dancefloor track of the serie. “Walking Blues” on Bside begin pretty hard with some good orchestra action, and the drums are big, put ahead on the mixing. Bad news is the moog which came in the game and f***ed up the vibe of the track for my part, it depends if you dig cheesy cartoon sound.
The track listing makes you dribble: Daniel Janin with Nancy Holloway on “Kiss And Tell” at the end of Aside. Unfortunatly, this is very far from “Hurt So Bad”, the orchestration is very cheesy and easy “Loveboat” style, plus Nancy wasn’t in top form, emotion wasn’t printed on wax that day. “Swingaboo” on Bside is more interesting, with a very cool electro loop at the beginning ready to be sampled, then the track continue on the funky orchestral veine conducted by Daniel Janin. The strange detail here is the same needle jump (you can hear it on the soundclip) at the exact same place in my 2 copies, probably a factory bug, anyway a good one for the loop.
Forget the one at the end of Aside, totally awful, and go to the end of the LP to find the devastating “Saramina”, a classic by Daniel Janin and really the better example of his sound: fabulous horns and funky big band, a real classic. One bad point: this version is 2’10, 30 second less than the Eddie Driver one.
“Just For Fun” on Aside is boring, Janin probably forgot to drink his orange juice that morning. On Bside “Fat Fat Fellow” is one of the dopest by the duo, tight beat, tremendous horn loop and big brass a la John Barry for a very spectacular cinematic track. A sure shot with this french leftfield touch.
Whooo… Super sleazy cover with a nice girl and her wet T-shirt… Musically, action is the very cool “Rolly Polly” and its devastating intro break: a real beat juggling tool for the hip hop DJs if they manage to got 2 copies!
“OK You Got It” is another nice orchestral joint, with always great work on the strings by Janin. Plus the cover appeals you with this beautiful… trumpet.
The last one, specially chosen and found by DJ Peeer is « Move Man », with some tough hi hat and an interesting guitar play.
No interesting groove to note on the Aside. But on Bside “Super Position” is a very good one. Funky rhythmic and moog with predominant bass: like Herbie and the Headhunters takin’ ecstasy!
Another funky joint by the super duo: “Red Lotus” is phat as hell with its sort of french Enter The Dragon vibe and horns as tight as usual.
Of course there’s a lot of other one, and the same track can be found on different LPs, this selection is definitly not exaustive, so dig deep and don’t loose the faith! THE RARE ONES
Most of the LP is pretty boring jazz tunes, but "Don’t Play For Me" is a superb modal jazz.
Daniel Janin under a dope fake name for a sort of super compilation of the instrumental works by the two french producers. You have the classic “Saramina” plus a bunch of very solid tracks like “Run You’ll Get It”, “Schout” and the wicked “Black Knight”
Like the Pierre Sellin, Velvet Dreams is a real one track LP, and of course the only one to go out of the disco cheese is the Pierric/Janin production: “Tabasco Flower (2)” got an efficient disco beat backed up by some bongos and a very mysterious vibraphone play.
Yes, this is the LP every serious funk collectors are looking for. Coordinated by Jean Claude Pierric and some secret weapons (Joel Dayde, Eric Leton..), evey tracks are gifted by the god of groove. More various than Harlem P.T, the musical spectrum ranges from blaxplo/chase theme/funky orchestra tracks ("Koun'toukoupak", the baad bass of "Chut Bebe Dort", "Pas Un Brin de Vent") to typical french scat ("Dans C'cas La Oui", "Reveil Matin"), massive hip hop beats ("Perdigouna", "La Tete Qui Bout") and of course these easy jazz funk arrangements with superb electric piano moments JC Pierric is well known for ("Retour De Flamme", "Un Bouquet De Cerise"). But the major thing with Godchild, similar to every great albums, is that you like it more and more after every listening.
This fake group is in fact Jean Claude Pierric and his crew for one of the best jazz funk album made in France. Tons of loop to grab and a very solid all around album with no filler tracks. Witness the magic on some extracts (1 2 3 4 5 6 7)…
A big thanks to DJ Peeer for ideas, pictures and MP3s…
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